Black Art 5 Foot 6 Foot Tall Statutes Home Decor
Another couple might have given up, but not Craig and Linda Fiebig. Subsequently a botched remodel left their Seattle home nearly uninhabitable, the intrepid duo decided to build a new firm on the same property.
"If I hadn't had iii kids at the time, I would have chosen a loft downtown," says Linda, now a stay-at-dwelling house mother of iv. With that urban archetype in mind, the Fiebigs asked the noted firm Vandeventer + Carlander Architects to design a colorful gimmicky house that could conform the couple's burgeoning art collection and the demands of a growing family.
Perched on a rambling corner lot but minutes from downtown, the new home consists of two parallel boxes linked past a narrow atrium. Support functions such equally the kitchen, laundry, stairs and bathrooms are wrapped in cherry-red Cor-Ten steel, while living spaces reside inside a cedar block set atop a glass plinth. "We used different materials to code the public and private spaces and to meet Linda'southward want for color and variety," says design principal Tim Carlander, who collaborated on the project with his business firm's managing partner, Nib Vandeventer, and SBI Structure.
The habitation's artistic aspirations are evident from the entry, where storefront windows frame a compelling canvas by Chinese American artist Hung Liu. To the left sits Linda's office, an ocher command center with expansive glass doors. Steel stairs on the opposite side of the entry lead to the atrium, which divides the firm into public and individual realms. "This house is laid out very functionally," Linda says. "At that place's no wasted infinite."
Steel armatures frame the living area and back up the 2nd flooring, freeing the surrounding drape wall to encompass the sylvan setting (the landscape architect was Portland's Samuel Williamson). Drinking glass doors open onto a pair of terraces and the lawn beyond, inviting an easy indoor-outdoor flow that'southward ideal for parties. Since Linda doesn't like having company in the kitchen when she entertains, the architects shunted the room to the side and chose a narrow galley layout, so there's nowhere for guests to linger.
Linda kept her color cravings in check when it came time to decorate. "I really had to fight my impulses, because I didn't want to steal the thunder from the architecture or the art," she says. The living room (furnished past Michael J. Skelton of MJS Interiors in Los Angeles) is divided into two seating areas, each of which is anchored by a red Tai Ping rug. A crimson zebra-patterned Chris Lehrecke daybed from Ralph Pucci serves both groupings, its color repeated in the dining chairs. Past limiting the accents to a single hue, Skelton was able to satisfy the owner'due south desire for color without upstaging the surroundings.
Artwork adorns every wall, making the pieces more approachable but besides more vulnerable to the exploits of the family's youngsters: Alec, 17, Tommy, 13, Ingrid, 11, and Rhys, v. "There's going to be a certain charge per unit of attrition, and you merely deal with it," shrugs Craig, an It marketing director. "The two of u.s.a. have damaged more fine art than the kids have," Linda confesses.
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Linda, a Midwesterner by birth, asked for plenty of light to combat Seattle's often gloomy atmospheric condition. The architects obliged, lining the atrium's walls and ceiling with a nearly unbroken band of windows. Even the atrium floor is drinking glass, so lite tin illuminate the basement during the day.
Glass bridges span the void above, linking the staircase to the colorful, treetop-hugging bedrooms. (Deena Rauen supervised the upstairs decor.) Although they take to cross a span to get to the master bath, Linda and Craig don't seem to mind. "My husband gets upwards at five in the morning, so while he'due south getting fix, I tin notwithstanding be over in the chamber sleeping," Linda says.
Attributable to a multifariousness of unforeseen circumstances, the house took six years from concept to completion. During that time, the Fiebigs lived in a succession of rental houses and dispersed their fine art to friends. (Attending a party ane evening, Craig raved about one of his host's paintings, only to be reminded that the piece was his.) When they were finally reunited with their art, Linda was overcome. "It was like a kid coming home from college," she says.
All those years of planning paid off, though. Low-cal and greenery greet the Fiebigs at every plough, enshrining family and art in a setting that is worthy of both. "The house suits our lifestyle to a tee," Linda says. "People oftentimes ask u.s. what we would modify. Nosotros're still hard-pressed to come up with an answer."
What the Pros Know
The living room fireplace and Linda'southward office look as though they're covered in Venetian plaster, merely the material is actually Milestone, a hybridized Portland cement developed in the 1980s by Seattle craftsman Don Miles. Milestone contains an acrylic binder, making it water resistant and nearly impervious to cracking and fading. The fabric adheres to well-nigh whatever surface, so it's ideal for walls, floors, countertops and showers, and information technology accepts the aforementioned universal tints used at paint stores, pregnant that color choices are infinite. The toll depends on the project but is comparable to quality tile or rock. Milestone can exist purchased only from Artisan Finishes in Seattle (ArtisanFinishes.com), but company president Don Latimer is happy to help homeowners locate qualified installers in their area or to provide instruction to experienced do-it-yourselfers. "It's a fairly forgiving medium," Latimer says. "If you have a failure, it'll be creative, not structural."
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